I've received a request from Admiral Lord Roger Smith. He's archiving the life and crimes of KLF. 'Had I any evidence?' Roger once met Nico in a hotel bar and asked if he could borrow her pen. In a dulcet germane tone she replied 'yes but don't push the nib too hard'. Now he was asking a favour of me, so I started digging. I first met Jimmy Cauty (the musically inclined half of KLF) in the early 80's when we shared a squat in South London in - that’s me holding the flash. The only other stuff I have is a set of images of an ‘action’ I shot after their last gig at the Barbican, 1997. Primed with ladders, paint and rollers we scaled the east face of the South Bank. I took photographs as Jimmy and Bill Drummond daubed '1997 What the Fuck’s Going On' on the side of the hallowed wall.
'Gavin Evans creates images that challenge, question and provoke. Like his work Gavin is passionate, unequivocal and forceful in his beliefs' Hungry Eye Magazine. 'Auteur' (Professional Photographer) and taker of 'Iconic' images (British Journal of Photography). Diary of a Leveller with a camera.
15 Nov 2008
I've received a request from Admiral Lord Roger Smith. He's archiving the life and crimes of KLF. 'Had I any evidence?' Roger once met Nico in a hotel bar and asked if he could borrow her pen. In a dulcet germane tone she replied 'yes but don't push the nib too hard'. Now he was asking a favour of me, so I started digging. I first met Jimmy Cauty (the musically inclined half of KLF) in the early 80's when we shared a squat in South London in - that’s me holding the flash. The only other stuff I have is a set of images of an ‘action’ I shot after their last gig at the Barbican, 1997. Primed with ladders, paint and rollers we scaled the east face of the South Bank. I took photographs as Jimmy and Bill Drummond daubed '1997 What the Fuck’s Going On' on the side of the hallowed wall.
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